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"description": "Short story by Ernest Nagamatsu on the difficult adjustment to civilian life of a group of World War II veterans. Written in the first person voice of an ex-GI named Hamamoto in 1954, \"Doka B-100\" coveys both Hamamoto's alienation and the welcoming embrace of\n \n Little Tokyo Los Angeles\n \n . Estranged from his domineering father because of the way he left the service (despite serving heroically in the\n \n 442nd\n \n , he quit before his time was up) and his choice of social work as an occupation, Hamamoto's wife had decided to go back to her family in Chicago with their daughter to get away from the arguments. Finding a small apartment in Little Tokyo and a part time job in a diner, he finds a niche in starting to counsel the veterans who would gather in a Little Tokyo pool hall. That work eventually leads to a paying job with the Veterans Administration. The story also incorporates Hamamoto's concentration camp experience and how his family was able to keep their house with the help of neighbors. The title comes from the address of the pool hall and the veterans' customary greeting to each other.",
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"description": "Documentary film about a\n \n Nisei\n \n woman returning to\n \n Manzanar\n \n and to her prewar community on\n \n Bainbridge Island\n \n , Washington, for the first time some thirty-five years after being forcibly removed.",
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"description": "Feature length documentary film by Greg Chaney that recounts the forced removal and incarceration of Japanese Americans from Juneau, Alaska, during World War II.",
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"description": "Documentary film that tells the story of Japanese Americans in Maui through the story of Maui Taiko and its founder, Kay Fukumoto.",
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"description": "Documentary film on the evolution of the Japanese American community in\n \n Chicago\n \n . Directors Anna Takada and Maria Pimentel tell the story using a generational framework with a brief prologue on Japanese immigration and the prewar\n \n Issei\n \n era and a longer segment on the wartime roundup and incarceration centered on the\n \n Nisei\n \n , before turning to Nisei and\n \n Sansei\n \n recollections of resettlement to Chicago and growing up there after the war. Many of the Sansei recall their parents' silence about their wartime experiences. The last segment focuses on\n \n Yonsei\n \n and recent activism featuring 2019 footage from an all camps reunion in Chicago and on a protest march that saw Chicago Japanese Americans drawing on their history to protest immigrant detention and deportation today.",
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"description": "Episode of the popular 1960s weekly television show featuring the\n \n Little Tokyo\n \n area of Los Angeles. Filmed largely in Little Tokyo, the program covers both the history of the neighborhood and its then current status and includes a discussion of the wartime incarceration of its population.",
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"description": "First person memoir by Kenneth A. Tashiro of his and his family's forced removal and incarceration at the\n \n Gila River\n \n , Arizona, concentration camp. After a brief introduction that introduces Tashiro's family, the story begins on Pearl Harbor day when Kenneth—nicknamed \"Iggy\"—hears about the start of the war after exiting an Abbott and Costello movie. He and his family move from Los Angeles to Del Rey in an attempt to avoid incarceration, but they are eventually removed from Sanger to Gila in August of 1942. His father, Kenji Tashiro, is a journalist, who becomes the editor of the\n \n camp newspaper\n \n , before leaving to join the army at age 37. His mother, eight months pregnant at the time of the removal, stays behind for a time, rejoining the family later with the baby girl. Twelve when he entered the camp, Tashiro's perspective is purely that of an active teenager, so there is relatively little on camp politics and civil rights, with the focus instead being on friends, sports, Boy Scouts, and other aspects of teenage camp life. The story ends when Iggy leaves camp in March of 1945 to live with an aunt and uncle in Minneapolis.",
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